Louis Armstrong’s legendary career spanned decades, leaving behind an indelible mark on the music world. His life was filled with unexpected twists, both onstage and off, as he navigated the complexities of fame, race, and music. As one of the most beloved and influential figures in jazz, Armstrong’s contributions continue to resonate, and now, the new musical A Wonderful World: The Louis Armstrong Musical seeks to bring his story to life for a new generation.
The show’s trajectory reflects the same spirit of perseverance and creativity that characterized Armstrong’s career. Initially conceived in 2019, the production faced numerous challenges due to the pandemic, but thanks to the collective efforts of theater director Christopher Renshaw, the late novelist/director Andrew Delaplaine, playwright Aurin Squire, and Tony-winning actor James Iglehart, A Wonderful World is now making its way to Broadway. The musical opened its Broadway run at Studio 54 in November, offering a fresh and dynamic portrayal of Armstrong’s life.
A New Perspective on Armstrong’s Life
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What sets A Wonderful World apart from other biographical musicals is its unique approach to Armstrong’s life. Rather than focusing solely on Armstrong himself, the show explores his relationships with his four wives: Daisy Parker, Lil Hardin Armstrong, Alpha Smith, and Lucille Wilson. This fresh perspective gives audiences a more nuanced view of Armstrong, showing both his strengths and vulnerabilities through the eyes of the women who knew him best.
Iglehart, who not only stars as Armstrong but also makes his directorial debut with the show, finds a deep connection with the man behind the trumpet. “It was the guy behind the trumpet that I found so interesting,” Iglehart reflects. He relates to Armstrong’s struggles with identity, particularly when he faced criticism for not being “Black enough” or for playing “only for the white folks.” Iglehart’s portrayal captures Armstrong’s humanity, showing his complex inner world and the ways in which he navigated the challenges of fame and race.
A Dual Role: Acting and Directing
Balancing the responsibilities of acting and directing is no small feat, but Iglehart brings a unique perspective to the production. While acting requires him to focus on his character’s journey, directing demands a broader vision. “When you’re an actor, you focus on what your character is doing, but when you’re a director, you have to see the whole picture,” Iglehart explains. His dual role in the production allows him to bring a holistic understanding of the story, guiding his performance and the show’s overall direction with great care.
Working alongside co-director Christina Sajous, Iglehart helps shape the vision for A Wonderful World, making decisions about how best to portray Armstrong’s life and legacy onstage. “We’re guides in certain places, saying, ‘I think that’s a good idea,’ and then we throw in our ideas and discuss, sometimes debate, on what it should be and how it should be,” Iglehart notes. This collaborative approach has resulted in a production that feels both authentic and innovative.
The Challenges of Portraying Armstrong
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Capturing the essence of Louis Armstrong is no easy task, and Iglehart faced the challenge of portraying the full range of his personality. Armstrong was not a saint, and his flaws were part of what made him such a fascinating figure. “You can’t have a whole story where someone is a saint the entire time,” Iglehart admits. “I had to go to some of my dark places and say, ‘James, you’re not perfect.’” The result is a portrayal that feels genuine and multifaceted, showing Armstrong’s complexity as a man and as a performer.
The Evolution of Jazz Through Armstrong’s Eyes
In addition to portraying Armstrong’s life, A Wonderful World offers a new perspective on the impact of jazz. For Iglehart, who grew up with hip-hop, working on the musical has deepened his appreciation for jazz’s roots and its ongoing influence on modern music. He reflects, “Studying Armstrong and realizing where those rhythms come from, where certain chords and progressions come from, it was like hip-hop. Our folks aren’t just reinventing the wheel. Each generation has their own version of this jazz as a metaphor.”
Iglehart now sees jazz not as “older music” but as “our music,” recognizing that it was created by African Americans who pioneered the genre. “Not only is jazz an American-created music, but it’s an African American-created music,” he says, acknowledging the profound cultural significance of the genre.
A Moving Tribute to Louis Armstrong
A Wonderful World is more than just a musical; it’s a celebration of Louis Armstrong’s enduring legacy, his impact on jazz, and his humanity. Through James Iglehart’s powerful performance and direction, audiences are given a deeply humanized portrayal of Armstrong that captures both his brilliance and his struggles. The musical’s unique approach, focusing on Armstrong’s relationships with the women in his life, adds depth to his story, offering a fresh perspective on a well-known figure.
This production succeeds in not only honoring Armstrong’s legacy but also in introducing his music and his story to a new generation. A Wonderful World is a vibrant and heartfelt tribute to one of the greatest jazz musicians of all time, and it is sure to leave audiences with a renewed appreciation for Armstrong’s contributions to music and culture.
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